2026-03-07T09:54:57Z https://kyujyo.repo.nii.ac.jp/oai

oai:kyujyo.repo.nii.ac.jp:00000393 2023-06-19T09:17:16Z 1:4:51

楊伯潤「節臨顔真卿争座位文稿」の考察 Consideration of "Writing after Yan Zhenqing's Letter on Controversy over Seating Protocol By Yang Borun" 古木, 誠彦 コキ , マサヒコ 楊伯潤“Yang Borun” （1837－1911） is a painter of last years of Qing dynasty （China1644-1912）. He was a painter, but he had many calligraphy works and produced it. Is it the one which is why? Be based on learning method of his picture, I confirmed his source of the Calligraphy expression. Therefore I compared“ 行書文語軸” with“ 節臨顔真卿争座位文稿” of the new document and inspected it. As a result, he did not pursue the painting and calligraphic work expression of the times that he lived in daringly, emphasised on keeping the traditional expression of the China ancient times, concluded it. Furthermore, in the center of his art expression, I considered that there was always“ 中庸”（ Is one of the four Chinese classics in Confucianism, one of the central concept） 九州女子大学 ; 2009- 2020-09-30 jpn departmental bulletin paper https://kyujyo.repo.nii.ac.jp/records/393 40022387073 AA12452639 1884-0159 九州女子大学紀要 Bulletin of Kyushu Women's University 57 1 81 93 https://kyujyo.repo.nii.ac.jp/record/393/files/kiyo57-1-7.pdf application/pdf 4.7 MB 2021-06-23