{"created":"2024-10-19T02:01:33.709712+00:00","id":2000083,"links":{},"metadata":{"_buckets":{"deposit":"cc99c54b-2919-489c-917e-7f9e5405413c"},"_deposit":{"created_by":19,"id":"2000083","owner":"19","owners":[19],"pid":{"revision_id":0,"type":"depid","value":"2000083"},"status":"published"},"_oai":{"id":"oai:kyujyo.repo.nii.ac.jp:02000083","sets":["1:4:1729300427864"]},"author_link":[],"control_number":"2000083","item_10002_alternative_title_1":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"One consideration about the hand-copy of calligraphy work Chu Suiliang ‘Dead tree poem’ of Dong Qichang.","subitem_alternative_title_language":"en"}]},"item_10002_biblio_info_7":{"attribute_name":"bibliographic_information","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"37","bibliographicPageStart":"23","bibliographicVolumeNumber":"61","bibliographic_titles":[{"bibliographic_title":"九州女子大学紀要","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は、中国明時代の書家董其昌（1555－1636）の臨書学習の特長について、褚遂良（596－658）\nの書「枯樹賦」の董による臨書作品を題材に、理論と実作の両面から考察をした。\nその結果、董其昌が書において最も重視した「強靭な書線（遒勁）」を再現する技術を身に付けるため、「枯\n樹賦」の用筆（中鋒）に注目しており、40歳、47歳の臨書作品からは、董其昌が自身の書法理論に相違なく、\n「枯樹賦」の筆法に基づく中鋒を踏襲していたことが、実作分析に基づき証明できた。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"This study examined the characteristics of learning calligraphy by Dong Qichang (1555-1636), a\ncalligrapher of the Ming Dynasty in China, from both theoretical and practical perspectives, using Dong’s\ncalligraphy of“ Dead tree poem”the calligraphy of Chu Suiliang (596-658) as a subject.\nAs a result, we found that Dong Qichang paid attention to the brush strokes (Zhong-feng ) of“Dead tree\npoem”by Chu Suiliang in order to acquire the skill to reproduce the “strong line”that he considered most\nimportant in calligraphy, and that his calligraphy works at the age of 40 and 47 followed the Zhong-feng\nbased on the brush strokes of“ Dead tree poem”without any difference from his own theory.\nBased on the analysis of actual works, we were able to prove that Dong Qichang was following the style\nof Zhong-feng based on the brush strokes of“ Dead tree poem”.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_full_name_3":{"attribute_name":"著者（英）","attribute_value_mlt":[{"names":[{"name":"Masahiko KOKI","nameLang":"en"}]},{"names":[{"name":"Ayumi UENO","nameLang":"en"}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"九州女子大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"item_10002_source_id_11","attribute_value_mlt":[{"subitem_source_identifier":"AA12452639","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"item_10002_source_id_9","attribute_value_mlt":[{"subitem_source_identifier":"1884-0159","subitem_source_identifier_type":"PISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古木　誠彦","creatorNameLang":"ja"}]},{"creatorNames":[{"creatorName":"上野　あゆみ","creatorNameLang":"ja"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-10-19"}],"filename":"kiyo61-1-3.pdf","filesize":[{"value":"7.8 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"url":"https://kyujyo.repo.nii.ac.jp/record/2000083/files/kiyo61-1-3.pdf"},"version_id":"d5a2590c-4688-4911-9c55-4f458c4e1af4"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"董其昌","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"董其昌臨「枯樹賦」","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"『画禅室随筆』","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"中鋒","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"蔵鋒","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Dong Qichang","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Calligraphy work of Dong Qichang","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Huachanshi Studio’s Essays","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Zhong-feng","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Kuro-feng","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"item_resource_type","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"董其昌による褚遂良「枯樹賦」臨書の一考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"董其昌による褚遂良「枯樹賦」臨書の一考察","subitem_title_language":"ja"}]},"item_type_id":"10002","owner":"19","path":["1729300427864"],"pubdate":{"attribute_name":"公開日","attribute_value":"2024-10-19"},"publish_date":"2024-10-19","publish_status":"0","recid":"2000083","relation_version_is_last":true,"title":["董其昌による褚遂良「枯樹賦」臨書の一考察"],"weko_creator_id":"19","weko_shared_id":-1},"updated":"2024-10-19T02:13:52.910065+00:00"}