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楊伯潤「節臨顔真卿争座位文稿」の考察
https://kyujyo.repo.nii.ac.jp/records/393
https://kyujyo.repo.nii.ac.jp/records/393321ac0fc-7442-442e-8bf4-70c6e057d743
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kiyo57-1-7 (4.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2021-06-23 | |||||
| タイトル | ||||||
| タイトル | 楊伯潤「節臨顔真卿争座位文稿」の考察 | |||||
| タイトル | ||||||
| タイトル | Consideration of "Writing after Yan Zhenqing's Letter on Controversy over Seating Protocol By Yang Borun" | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
古木, 誠彦
× 古木, 誠彦 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | 楊伯潤“Yang Borun” （1837－1911） is a painter of last years of Qing dynasty （China1644-1912）. He was a painter, but he had many calligraphy works and produced it. Is it the one which is why? Be based on learning method of his picture, I confirmed his source of the Calligraphy expression. Therefore I compared“ 行書文語軸” with“ 節臨顔真卿争座位文稿” of the new document and inspected it. As a result, he did not pursue the painting and calligraphic work expression of the times that he lived in daringly, emphasised on keeping the traditional expression of the China ancient times, concluded it. Furthermore, in the center of his art expression, I considered that there was always“ 中庸”（ Is one of the four Chinese classics in Confucianism, one of the central concept） |
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| 書誌情報 |
九州女子大学紀要 en : Bulletin of Kyushu Women's University 巻 57, 号 1, p. 81-93, 発行日 2020-09-30 |
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| 出版者 | ||||||
| 出版者 | 九州女子大学 ; 2009- | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1884-0159 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12452639 | |||||
| 論文ID（NAID） | ||||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 40022387073 | |||||
